 |
||
Books Law & Internet Cultures, (Cambridge University Press, 2005). Some reviews:
Books (edited) Bowrey, K., Handler, M. & Nicol, D., Australian IP. Commentary, Law and Practice (Oxford University Press, Forthcoming). McKeough, J., Bowrey, K. & Griffith, P., Intellectual Property. Commentary and Materials, 4th Edition (Thomson, 2007). McKeough, J., Bowrey, K. & Griffith, P., Intellectual Property. Commentary and Materials, 4th Edition (Thomson, 2006).(eds) MacMillan, F. & Bowrey, K., New Directions in Copyright Law, Volume 3. (Edward Elgar, Cheltenham, UK, 2006). McKeough, J., Bowrey, K. & Griffith, P. Intellectual Property. Commentary and Materials, 3rd Edition (Law Book Co, 2002). Book Chapters “On clarifying the role of originality and fair use in 19th century UK jurisprudence: appreciating ‘the humble grey which emerges as the result of long controversy’” in (eds) Lionel Bently, Catherine Ng, Giuseppina D’Agostino The Common Law Of Intellectual Property: Essays in Honour of Prof David Vaver (Hart Publishing, forthcoming) “What Are You Missing Out On? Big Media, Broadcasting, Copyright and Access to Innovation” in Andrew T Kenyon (ed), TV Futures: Digital Television Policy in Australia (Melbourne University Press, 2007), pp 135-165. “Fertile Ground: Law, Innovation and Creative Technologies” in Fiona Macmillan (ed), New Directions in Copyright Law, Volume 5 (Edward Elgar, 2007), pp 162-196. “What are you missing out on? Big media, broadcasting, copyright and access to innovation”, in Andrew T Kenyon (ed), TV Futures: Digital Television Policy in Australia (Melbourne UP, forthcoming). “Fertile Ground: Law, innovation and creative technologies”, (ed) Fiona Macmillan, Uma Suthersanen & Martha Woodmansee, New Directions in Copyright Law: Volume 4 (Edward Elgar, forthcoming). “The New, the Bad, the Hot, the Fad - popular music, technology and the culture of freedom”, (ed) Fiona Macmillan, New Directions in Copyright Law: Volume 2 (Edward Elgar, 2005).pp262-271. “Can we afford to think about copyright in a global marketplace?” (ed) Fiona Macmillan, New Directions in Copyright Law, Volume 1 (Edward Elgar, 2005.) pp51-69. “Who’s Painting Copyright’s history?” in (eds) Daniel McClean & Karsten Schubert, Dear Images: Art, Copyright and Culture, (Ridinghouse, Institute of Contemporary Art, London 2002) pp256-274. (1998) “Ethical Boundaries And Internet Cultures”, in (eds) L. Bently & S. Maniatis Intellectual Property and Ethics, Vol IV, Perspectives in Intellectual Property, (Sweet & Maxwell, London) pp3-36. Journal Articles “Economic rights, culture claims and a culture of piracy in the Indigenous art market: what should we expect from the western legal system?” Australian Indigenous Law Review (Accepted 23 October, 2009) Kathy Bowrey & Catherine Bond, “Copyright and the Fourth Estate: Does Copyright support a sustainable and reliable public domain for news?” (2009) Intellectual Property Quarterly No 4 pp399-427 (in press) Kathy Bowrey & Jane Anderson, “The Politics of Global Information Sharing: Whose Cultural Agendas are Being Advanced?” (2009) Social and Legal Studies Vol 18(4), pp1-26 (in press). Kathy Bowrey & Natalie Fowell, “Digging up Fragments and Building IP Franchises: copyright, historiography and global politics” (2009) 31 Sydney Law Review 185-210. “Can a public-minded copyright deliver a more democratic internet?”, 56 University of New Brunswick Law Journal (forthcoming). “Alternative intellectual property?: Indigenous protocols, copyleft and new juridifications of customary practices” (2006) 6 Macquarie Law Journal 65-95. Bowrey, K. & Rimmer M., “Rip, Mix, Burn: The Politics of Peer to Peer”, Special Issue: Music and the Internet, (2005) First Monday Vol. 10 (7). “The ideal copyright framework for academic authors? A bounty to genius and learning,” (2002) Australian Academic and Research Libraries Journal, Vol 32 (4) Dec 2002 at 223-233. Bowrey, K. & Rimmer, M. “Rip, Mix, Burn: The Politics of Peer to Peer”, (2002) First Monday Volume 7, Number 8 at <http://www.firstmonday.dk/issues/issue7_8/bowrey/> “The Outer Limits Of Copyright Law - Where Law Meets Philosophy And Culture”,(2001) Law and Critique, Vol 12:1, pp1-24. “Retrospective Futures? Law, Technology and Copyright Control in Cyberspace”,(2001) Media and Arts Law Review, September 2001, pp181-191. “Art, Craft, Good Taste And Manufacturing: The Development Of Intellectual Property Laws”, (1997) Law in Context, Vol 15(1) pp78-104. “Who’s Writing Copyright’s History?”, (1996) European Intellectual Property Review, 18:6 pp322-329. “Copyright law reform: dealing with the unfamiliar,” (1996) Reform, (ALRC) No 69 Winter pp6-10. “Copyright, Photography and Computer Works - the fiction of an original expression”, (1995) University of New South Wales Law Journal, 18:2 pp278-299. “Copyright, the Paternity of Artistic Works and the Challenge posed by Postmodern Artists”, (1994) Intellectual Property Journal, Volume 8, No. 3 pp285-317. Book Reviews Benedict Atkinson, The True History of Copyright. The Australian Experience 1905-2005, (2009) 14 Media and Arts Law Review, pp96-100. 'The threat from the Internet: The Future of the Internet and How to Stop It, by Jonathon Zittrain', Political Quarterly, (2009) Vol 80(1) pp153-6. “Can a public-minded copyright deliver a more democratic internet?”, (2007) 56 University of New Brunswick Law Journal 26. (2007) “Book review: Andrew Chadwick, Internet Politics: State, Citizens and New Communicative Technologies”, International History Review Vol 29 (4) Dec 2007 935-7. “Andrew Chadwick, Internet Politics: State, Citizens and New Communicative Technologies”, International History Review (forthcoming). “Sherman & Bently, The Making of Modern Intellectual Property Law”, (2000) European Intellectual Property Review 22(7) p343-4. |